The instrument itself is a dreadnaught-shaped electro-acoustic guitar with the sound hole on the upper bout rather than under the strings. Where the pickup controls would be on a normal electro-acoustic guitar is a credit card-sized touchscreen providing access to all the software functions. To get all of this, you’d normally need a computer, or at the very least, a smartphone, which is a good analogy really – because that’s what the LAVA seems to have installed on its top bout. It’s an acoustic guitar with effects processing, a tuner, metronome, training software and a recorder/looper built-in. The LAVA ME 3 smartguitar is something that we’ve never seen before. However, these are all adapted electric guitars, and they are also incredibly expensive. All of these examples use existing effects that have been inserted into the body of the guitar and are normally limited to one or two sounds. Manson guitars have been building electric guitars with a wide range of effects built into them for Matt Bellamy of Muse and others for a very long time and BiLT guitars in America specialise in this as their USP. Guitars with built-in effects aren’t novel. However, these require stompbox effects or audio interfaces and software to capture and apply these sounds to the raw sound of the guitar. READ MORE: My Forever Studio: Callum Marinho steals Noel Gallagher’s guitarĮffects pedals and software effects modelling have allowed an increasingly wide range of sounds to be applied to guitars during live performances, recording and in post-production.Similarly, the electric guitar has been around for around 80 years and the core technology hasn’t significantly changed since the late 50s. The acoustic guitar has been around for a hundred and fifty years and, apart from minor changes to body shape and construction, has remained pretty similar throughout that time.
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